He performs in clubs and he is well known and well liked in his native city. Clarence Henry has been active on the music scene in New Orleans for many years since his fling with the charts. He switched to the Parrot label and just missed with a record titled Have You Ever Been Lonely. There were other minor hits also, such as On Bended Knees/Standing In The Need Of Love and Lonely Street. These records were produced by Gayten and legendary New Orleans record producer Allen Toussaint.
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We tried to make lyrics as correct as possible, however if you have any corrections for Stolen Home lyrics, please feel free to submit them to us. The latter had been a number one hit for the Mills Brothers in 1944. The The Jonbenet Stolen Home are brought to you by Lyrics-Keeper. Once again on the Argo label, he had two more records reach the Top Twenty, But I Do and You Always Hurt The One You Love. Clarence Henry continued to perform around New Orleans in the late Fifties and early Sixties before he came up with his next big hit. Titled Troubles, Troubles, it was an uptempo song on which Clarence shared writing credits with bandleader Paul Gayten. It also served to give the nineteen-year-old a nickname that would stick with him for life, "Frogman." The flip side of Ain't Got No Home was also very good. The song was leased to Argo Records in Chicago, with Clarence singing in a falsetto voice when he says he can "sing like a girl" and in a contrived, humorous voice when he says he can "sing like a frog." It was a fun novelty hit that vaulted to the number 3 position on the R&B charts and to number 20 on the pop charts. In late 1956 a song that Clarence had written helped him to become somewhat of an overnight sensation. He tried his hand at songwriting and recording also. He joined Bobby Mitchell's R&B band in 1953 and stayed with them for about two years before going on to other bands in the New Orleans area. As a child he studied piano and the trombone, instruments that he became somewhat accomplished in playing and which he is still playing to this day. Clarence was born in Algiers, Louisiana in 1937. It’s important to think about whether an audience will be receptive or relate to it, but I’m very selfish in the fact I write songs for me because it’s literally the only way I can express my emotions and be a healthy, functioning human being!įind Haley Blais on Facebook, Instagram and Twitter.Clarence "Frogman" Henry is a New Orleans legend who has left the rock-and-roll world with some memorable songs. Not really, I make music that I love first and foremost. What are the biggest challenges you see with the state of the industry right now, in regards to getting your music out there? While the DIY industry is thriving, it can have many obstacles-has this affected the music you create? I would show you, but this is over email, so just imagine the most extraordinary handshake you’ve ever imagined. Hmmmm… My band and I just created a handshake which I’m enforcing we do before every set.
I feel like a new born baby experiencing things for the first time and it’s all just very exciting.
I’m still breaking into the industry right now, so I’m even still feeling the Canadian scene out. It’s harder, and more expensive, to get in the American touring circuit which is kind of a bummer because the majority of my listeners are based in the United States. I was playing the guitar one day and remembered those three words, did a quick google search out of curiosity, and it yielded the chorus: “I’m just a foreign faction, irreconcilable conflict at parties.”īeing based in Canada, with a very different political climate than that of the US, what benefits and obstacles come with that? Thanks! A cold case child murder! I can explain-I’m 100% a true crime head, so the phrase “small foreign faction” is actually a nod to the JonBenét Ramsey murder case. Your recent release, “Small Foreign Faction,” is absolutely wonderful. Approaching her music with such a genuine and personal take, it was no surprise that our conversation with her felt just like a heart-warming chat with an old friend. Haley Blais blends provoking lyrics with a laid back brand of harder rock, bringing to mind influences of predecessors like PJ Harvey and her peers like Soccer Mommy.
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